I'm on Facebook

Well it took me years but Michael Powell Photography can now be found on Facebook here:
http://www.facebook.com/michaelpowellphotographer
Please visit me, like me and spread the word. I'm also there with a personal account. The difference? Work related stuff will appear on the Michael Powell Photographer site and is intended primarily for clients. If you wish to be rude to me you need to go to the other one (which I'm not listing here).

Other News

I've had surgery on my shoulder which has knocked me out of circulation for a little while and is why the bog has not been updated recently. More to come.....

Jim Marshall

Not photography related this except for this dodgy snap of yours truly in action with The Zimmer Band. I just had to mention the passing of Jim Marshall, inventor of the rock guitarist's weapon of choice the Marshall amplifier. For this, the first of my occasional music and Zimmer related blogs I thought I would add my own tribute to the great man. The sound of a Gibson Les Paul (Thin Lizzy), Flying V (Schenker), SG (Angus), Fender Strat (Hendrix) and PRS (Powell?) through a cranked-up Marshall valve amp is as distinctive to the rock fan as a glass of Meursault to Oenophiles (back to food) and I can't imagine gigging without one. Good skills Jim. Job done!

Gibson Les Paul (check), Marshall Amp (check), guitarist pout (check), dodgy shirt (check), pint of Guinness at back of stage (check). Hellooooooo Saxilby!

Have Your Cake

I am very pleased to announce the success of our wonderful cupcake greetings cards at moonpig.com. The cakes were created by my sister Jane Blackman of Jane's Cupcakes and initially shot for her website where, incidentally, you can order for delivery by mail. Sue Richmond at Kenyon Communications came up with the recipe greetings card idea and behold they are selling like.......cupcakes. So far over 2000 have been sold. Each card includes a recipe too! 

Click here to view the range.

More retouching for The Times

Click image to enlarge

This was fun. No, really it was! Marc Aspland, Sports Photographer extraordinaire for The Times shot four Tae Kwon Do experts for a feature on London Olympics hopefuls. The idea was to bring each high-kicking athlete into a single image. Marc set up a dark cloth background in a gym and used a single Elinchrom light to the left of camera with a softbox and shot all four separately showing their skills. You can see the light in the original image below. The biggest challenge was making the floor look realistic which meant lots of use of the lasso tool and cloning stamp in Photoshop. When the positioning felt correct I copied a shadow from one of the shots and duplicated it for the others then spent some time bringing detail into the tracksuits and shadows. Another small flash to the right would have made it a lot easier for me Marc! The final image was used across two pages in The Times. Good work Mike (and Marc). To see more of Mr Aspland's brilliant work go to marcaspland.com

Food Photographer of the Year and tuition

I have the pleasure of being asked to be on the judging panel for the forthcoming  Pink Lady Food Photographer of the Year 2012. Entries close on 31st January so enter now. There are many categories including three sections for under 18's so get your children involved too. I can't wait for next year's competition as I will be eligible to enter and shall encourage my children to have a go too. No need to worry about nepotism or foul play, they are unlikely to listen to any advice I offer on  photography. Which brings me to...........tuition.

I have been offering one to one photographic tuition for about a year after a rewarding spell running an after school photography course at Caistor Yarborough School. It has made me ponder my own early photographic development and I now conclude that there is a crucial part of the learning process missing with digital cameras. Anybody who has shot film will remember the joy of the shots that "came out" either by fluke or judgement and the despair of the one that didn't make it. Whilst having little nostalgia for horrible chemicals, just 36 frames and dust on negatives that you couldn't quite shift, film had the useful but sometimes cruel ability to teach harsh lessons. That great shot that failed to materialise on the emulsion because of poor exposure, the weird missing bit because the shutter didn't sync with the flash, the unrescuable over-exposed shot in bright sunlight etc. Film meant enthusiasts had to understand exposure and boy did you learn quickly when your hopes were dashed by a completely transparent negative. And you only used a camera not loaded with film once. Ever.

I have had a number of aspiring photographers in the studio with little knowledge on shutters, apertures and ASA. That's fine for those happy to never stray from Auto but these people are holding their photography back. So there you have it, the phenomenal technology at work enabling you to make mistakes at no (financial) cost with digital can actually curb your photographic development unless you get that camera off its Auto setting and show it who is boss. Oh well, at least it put an end to those annoying stickers the lab put on rubbish holiday snaps.

Film v Digital - Different yet similar

I get asked about the merits of digital photography regularly and the assumption is always that digital must have changed my job beyond recognition. I have certainly had to learn a whole new skill set since my days shooting film. Funny then that we appear to be in the midst of an analogue revival. Lomo and Diana film cameras are suddenly gaining a cult following, special edition vinyl LP's are back and digital emulations of film are everywhere right now. I dabble in this a bit and enjoy producing the odd wedding shot that has a look of Fuji Velvia, a great slide film that had lovely warm saturated colour. Not very realistic but sometimes that's just what you want. Below is a shot fiddled with using a light-leak texture. One £1300 Canon lens made to look like I used a broken Kodak Instamatic!

A few months a go I was approached by Marc Aspland, a good friend and Staff Sports Photographer of The Times (more of him coming soon) to work on some pictures from the riots. Marc noticed how similar some of the shots were to wartime Blitz shots of London. My job was to make the modern digital shots look like hand printed images from film. The resulting spread is reproduced below courtesy of The Times and explains how I did it. I miss the hand printing a little but don't miss the stained clothing, stink of fix and brown finger nails! "Nothing's changed" I hear you say.

 ©The Times. Reproduced with permission

It lives! My new website is live!

I know the old one wasn't very old but all these new fangled iPads and iPods meant it had to change. Now if you have one of these exciting devices you can carry me around in your pocket, Gucci handbag, manbag and Lidl carrier as the use of Adobe Flash is no longer essential (Apple and Adobe continue to fall out over the use/non-use of Flash on Apple mobile devices).

Apart from a fresh new design there is lots of new content (have a look you might be on it) and the images can be scaled and viewed in full screen even if you have a flash 30 inch display. As ever thanks and praise must be heaped upon web designer Mike English at Tealby Graphics who has burnt much midnight oil and probably Macallan whisky over this project.

I have also digitised some old press pictures from ancient prints, negatives and trannies. I think the earliest shot is from 1984 of The Smiths playing Sheffield City Hall. I was at college in Sheffield on the photojournalism course and needed to finish my "ambient light project" so saw an opportunity of working and playing at the same time - something I have been trying to perfect ever since. I knocked on the stage door and the manager let me in. I was lead past the band who were quietly sitting by a table of untouched food and vases of flowers (used by Morrissey on stage later). I sat on the PA on the stage and watched the most exciting band in the UK at that time play to a tenth capacity hall. The story was relayed to Smiths drummer Mike Joyce a few years ago on Radio 2 and he emailed me wanting to see the rest of the shoot. Just recently I found a roll of colour transparency I shot that lay forgotten for 27 years! If I ever find a way of making my old scanner work again I'll post some here and on Getty images. "There is a light than never goes out". Except on my Nikon scanner.

Please visit me at the same old address: www.michaelpowell.com